Category: Cinema

  • “O Brother, Where Art Thou?” the Film by Joel Coen

    Table of Contents Introduction Analysis Conclusion Work Cited Introduction Following its release to theaters in 2000, it did not take long for the film O Brother, Where Art Thou? (directed by Joel Coen) to attain a critically acclaimed status. As of today, it is often referred to in terms of a “cult movie”. This implies…

  • Film Studies. Authorship Theory in Examples

    Table of Contents Introduction The Essence of the Theory of Film Authorship The Value of the Theory Identification of an Author Film Director as an Auteur in Movies Conclusion Works Cited Introduction The concept of authorship has been a topic of multiple discussions in film theory during the last several decades. Its idea is to…

  • Settings in Bollywood Cinema: “Bobby” Movie

    There are many reasons for people to love and hate Bollywood. Annually, Bollywood introduces about one thousand feature movies and hundreds of short films.1 On the one hand, the quality, motives, and the development of the events seem to be predictable, not interesting, or even boring. On the other hand, millions of viewers admire the…

  • Amadeus: Play and Movie Review

    The film released by Milos Foreman in 1984 is based on the play written by Peter Shaffer, an English playwright. The plot of the play is typically based on the lives of music maestro’s namely Wolfgang Amadeus Mozart and Antonio Salieri. Music composed by Mozart and Salieri and other composers is heavily employed in the…

  • “Maurice” by James Ivory: Film Outline and Symbols

    Table of Contents Introduction Film outline Dialogues Symbols Conclusion Works Cited Introduction Maurice was written by E.M. Forster during 1913/1914. But the novel was published posthumously only in 1971. It calls for emotional and sexual sincerity in the time of moralizing and repressions in British society. The protagonist comes to age as a homosexual, subtle…

  • Early Feature Films and Ethical Considerations

    The culture of the 1910s and early 1920s and, in particular, cinema underwent crucial changes that were initially perceived with apprehension and mistrust. The transition from the one-reel movies to the so-called feature films consisting of multiple reels was steady yet noticeable. Along with a new format, feature films brought certain social considerations regarding ethics…

  • Films: Dr. Strangelove and The Russians Are Coming

    With the international nuclear fear during the Cold War, the culture was politicized. Stanley Kubrick in his movie Dr. Strangelove and Norman Jewison in his movie The Russians Are Coming used comedy genre for expressing their criticism of the nuclear strategies, showing the absurdity of the irrational fear of the Soviet people in general and…

  • “Psycho” Movie Review by Spadoni and Tompkins

    Robert Spadoni and Joe Tompkins present two varied arguments for the psychological creation of horror created in horror movies. Spadoni in his article “Horror Film Atmosphere and Narrative” believes that the psychological perception of horror is generated through the atmosphere/mood in movies. He believes that the mood of the film contributes to creating the world…

  • Minorities and the 1920 Legal System in the Films

    No matter what evidence one might use, the injustice of the legislation of 1920 towards the ethnic minorities in the United States will be obvious. Both the filmmakers of Sacco and Vanzetti and Scottsboro, as well as the authors of the book American Anticommunism, depicting the notorious suppressions of the people of different race and…

  • “Words” Film’s Language, Composition, and Genre

    Introduction The film Words has a specific form and content, explicit and implicit messages, and an innovative genre. These are seen from the particular scenes, their arrangement, sounds, and the visual image. There are a unique film language and film composition form, which makes the film meaningful and worth analyzing. Main body The film’s content…